I have a cabinet I’m finishing up. It has some nice inlay on the front of it. This is visually appealing and the inlay is raised up so it’s tactile as well. The cabinet itself has tapered lines to it so it has some interest. On this version of the cabinet, I wanted the back to be important too.
I took the time to carry my tapering motif around to the back boards. Spending a little extra time here does not pay off immediately. It takes longer. I fuss more with the fit of the back. But in the long run, every time I see the back, I say to myself, Worth it.
Some jobs are not done for the client. They’re done for me and my satisfaction.
I had a Mastery student write me recently and ask this question.
“Do you know of any resources or books that would be a good source to study different furniture styles and what defines the style? (ie. Greene and Greene, Chippendale, classic styles, etc.)”
A loaded question. Here’s my answer.
“The Randall Mackinson book on Greene and Greene is fantastic. But more have come out in the past few years. The Franz Karg book on Solid Wood Cabinets is great. The Soul of a Tree by Nakashima is a classic as are the Krenov books but especially, A Cabinetmaker’s Notebook.
Look for books by period and not just for furniture. For instance the books on Art Nouveau and Art Deco by Alastair Duncan are fantastic. Other periods then would be Arts & Crafts, the Bauhaus Movement, Dutch Expressionism, de Stijl, Victorian, Edwardian. The list goes on. Empire, Louis XIVth, Biedermeier Furniture.
And that’s just European. There is Chinese Furniture. The Gustav Ecke book is a classic. Look at African art, Japanese temple construction and garden design. Start reading it all. You will start to see how design is universal and individual and everyone is stealing everyone else’s ideas and using them for their own purposes.
Simple questions always seem to beget long answers.
3 Simple Finishes is a workshop coming up next week on June 16-18. If you have ever had a question about finishing, and who has not, then join us and learn some of the tricks.
Finishing is part chemistry and part magic. The great thing about this workshop over a lecture on the subject is that you get a chance to try out this stuff. Discover the approaches that will work in your shop. Learn the techniques and practice them.
You will walk away from this class with information, experience, and a great sample set of finishes. From oils to wiping varnishes and shellac, we’ll cover the range of hand applied finishes.
Any good portfolio takes time to build. Just like the construction of a piece of furniture is an accumulation of days and hours of effort, so too is that compendium of your work.
Where to start? Start at the beginning. Take a photo of every piece you make so that years from now you can smile at yourself and say, “Oh I was young then. I’ve learned so much now.” And it will be true. There is much to discover and rediscover along the way as we develop our habits at the bench or with the pencil and drawing.
The Mastery Program is an opportunity to jump start that portfolio building. You will build more creative work in the one year or two year program than you most likely ever will again. It is a chance that you will take on yourself, on your own growth as a designer, and on your progression as a builder of fine objects.
Take the chance. Invest in yourself. http://northwestwoodworking.com/mastery-programs/local-mastery
Shea’s latest piece, his Hall Table with Drawer. Pretty cool stuff he’s making.
The first step is the hardest. The decision is the key. Who can say where this choice may lead? That’s a bit of a daunting thought. But starting the project is first. Let the mistakes begin!
I think this is something of what holds us back. What if I make a mistake? Well duh buddy, you’re gonna. Bucket loads of them on some days. From choosing the wrong piece of wood to making a cut in the wrong place or having the grain tear out in a crucial spot. It’s how we learn.
The difference I can make is how I respond to my latest gaff. Slow down, look at my wood carefully when I make that first cut. Mark your boards carefully for your joinery. Read the grain carefully. When I slow down my pace, it is the best way I have to speed up the process.
This is a shot of that maple log I got recently. Matt was doing the slicing, I was making the decisions about where and how thick. Another new beginning.
Chairs are one of the most challenging of projects. They are mostly air with only a few small sections of wood holding up your bulk and your pride. Jeff Miller wrote the book on them: Chairmaking & Design.
Join us at the Studio July 24-28 to work with Jeff on his interpretation of a Chippendale Chair. http://northwestwoodworking.com/courses/104.
I can’t wait to see his tenon jig. There is always something to learn from another woodworker. This is going to be a fun class.
Folks have a dread about learning design. They feel that it is somehow beyond them. They are not artists. They are not creative enough. They lack the weird curiosity to be a designer. Or the hair.
Nothing could be further from the truth. Think back to your dreams last night if you want weird.
Design is not an immediate skill, but like throwing a baseball you can do it even at first. Your throw may be ungainly or downright ugly or straight into the ground. But you can throw. So too can you design, however badly at first. But like baseball, how many throws did you have to make to first before you could zing it there? Hundreds, maybe thousands. The same is true with design, but make the practice fun and you will succeed.
If you want the thrill of designing your own work, then you learn to practice its vocabulary. Learn the things that make up a good design: form, pattern, details. Study great design, design that appeals to you, and then reverently steal from these good sources. For after all, that is what good design is: reverent theft.
We have been stealing from nature for centuries as this ancient wooden sculpture from China shows.
I wonder what it is that brings people to this need to do things well. Is it a compulsion from inside or a rule, a standard imposed from outside? You see this craftsmanship of course in old work, where the time was spent in making each detail just so, just right.
Take this old front door I found in Eastern Oregon. It guarded a grand old house and the hinges were eye-catching even from a distance. They spanned almost all the way across the door.
But up close if you looked at the screws, which is something I always do, you can see if the carpenter took care with his work or not. Sure enough all the screws lined up horizontally along with the length of the hinge leaf. Except for the last screw that took this odd turn to point at 2 or 8 o’clock. Odd choice but I checked the three hinges and they were all alike. I could only smile at the effort. Craftsmanship
Spring beckons summer. It’s a tease is spring, a glimpse at the future. So too with our calendar. It has the promise of things to come for classes this summer.
3 Simple Finishes will be a great three days exploring chemistry and alchemy. Basic finishes will of course be covered like oils, waxes, wiping varnishes, and the answer to all your finishing questions: shellac. But wait there’s also chemical stains, a little milk paint thrown in, and a dash of baking soda which produces a miraculous effect.
Hand Planes: Tuning & Using is a must have course. Learning to use a hand plane will change your life at the bench. Simple as that. They are more than throwbacks to a simpler time. They are time savers.
Building a Chippendale Chair with Jeff Miller is a huge opportunity to work with a great designer, author, and teacher. Jeff Miller wrote the book on Chair Design with a dozen options for building them. I am intrigued to see his tenoning jig in use. Join us for that week of chair building. Fun stuff.
Branding is always such a sensitive issue. Put the wrong name on your product and you can have such a very hard time selling it. For instance, a baby bath cleaning product called Smells Like Baby Farts Again might be accurate in spirit but lacking something in adspeak delivery.
A brand name requires delicacy and a modicum of accuracy. Not too much accuracy, because, after all, the ad man is after innuendo and image. The flavor, the scent of the product is sought not its actual weight in the hand.
With this in mind and after a sit down critique with my Mastery students, well actually only some of us were seated, on their chair projects, I have decided to rebrand an aspect of the Studio. From now on, I am renaming the Mastery Program, the Pretty Good Program. It’s apt, it fits the work that I myself am capable of, and it’s descriptive.
Pretty Good Woodworking is of course the name that I wanted to use to rebrand a national woodworking magazine some years ago. They balked of course at the idea, but I think that if you included real articles that real folks could use, it would be a hit. Articles like: Dovetails, Get ’em Done on the Jointer! Or Seven Great Ways to Destroy Your Project with a Baseball Bat. Or Finishing: The Final Splotch. Band-aid Magic would be an article posted again and again.
These articles would resonate with people. These are topical issues. Well in the case of the band-aids, certainly topical, but all really have a lot of meaning for us woodworkers.
So, now the Mastery Program is called the Pretty Good Program. Come on down. You’ll fit right in.
Could be foolin’ you too. Happy April. G.